EDWIN BOOTH

I had an opportunity this week to talk to William Henline, a young playwright who is about to introduce a drama about Edwin Booth, the most prominent American actor of the mid and late 19th century and the brother of John Wilkes Booth. The focal point of the play is Edwin Booth’s effort to come to terms with what his brother had done. The dynamics are not the obvious. Edwin and Wilkes Booth lived at politically opposite poles. Wilkes was a Confederate sympathizer and operative who despised Abraham Lincoln, as many people did at the time. Edwin supported the Union, and Henline’s research shows that the only two times Edwin Booth is known to have voted, he voted for Lincoln. The brothers’ political differences ran so deep that they were incapable of discussing the subject.

JOHN WILKES BOOTH

Still, Henline discerns that there was a fraternal love that underlay this fissure between the brothers and that survived even Edwin’s revulsion and humiliation over the murder of Lincoln. Edwin, it seems, was constitutionally incapable of rationalizing or excusing Wilkes Booth’s crime, but was equally incapable of casting off his sibling — even if he did once say that he didn’t want Wilkes Booth’s name mentioned in his presence.

Edwin Booth’s rooms at the Players Club in New York have been preserved as they were on the day he died in 1893. Near his bed is a portrait of John Wilkes Booth.

Henline also called my attention to the fact that there is a recording available of Edwin Booth reciting part of a speech from William Shakespeare’s “Othello.” The quality is as poor as one might expect from such an early recording, but if you listen to it at THIS LINK, you can follow the text on the screen and understand most of the speech. Considering who Edwin Booth was and when he spoke these words, it’s a stirring experience to sit at a laptop in 2010 and hear his voice.

John Wilkes Booth, left, as Marc Antony; Junius Brutus Booth Jr. as Cassius; and Edwin Booth, right, as Brutus, in a production of “Julius Caesar” in New York in 1864. It was the brothers’ only joint appearance on stage.

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