CharlesPaolino's Blog

Ed Wynn, Jack Palance, and Keenan Wynn in Requiem for a Heavyweight

I recently came across a pencil drawing of Ed Wynn that I did about 50 years ago. Seeing that drawing was a prompt through which I discovered a pair of events in television broadcasting that combine for a unique and moving experience.

I’m old enough to be familiar with Ed Wynn, because he was frequently on television in the early days of the medium, days that coincided with my childhood. He usually appeared in the persona of “the perfect fool,” wearing a goofy outfit and doing a comedy schtick that made him a big star on the stage, in radio and television, and in film. I was also aware that he had appeared in a dramatic role in Requiem for a Heavyweight, which Rod Serling wrote for television.

ED WYNN

This is the story of a heavyweight boxer, “Mountain” McClintock, played here by Jack Palance, trying to cope with the end of his career in the ring. Ed Wynn’s son Keenan, a successful actor, also appeared in the production in a role closely associated with Ed Wynn’s character—Keenan playing Mache, the boxer’s manager, and Ed playing Army, the boxer’s trainer and cut man. The tension between these two men grows from Army’s conviction that Mache has no sense of Mountain’s humanity and basic decency. That was the first full-length drama broadcast live on television; it appeared on October 11, 1956, when I was 14 years old.

KEENAN WYNN

I don’t remember if I saw that broadcast, but because it was live, I hadn’t seen the performance since—that is, until now. After I came across that drawing of Ed Wynn, I read about his career. I learned that the rehearsals for Requiem for a Heavyweight were a painful experience for Keenan Wynn, because Ed Wynn couldn’t remember his lines or stage directions, and because he would frequently break into his silly laugh while rehearsing serious lines. The program had been promoted in part as the first joint appearance of the famous father and son, so replacing Ed Wynn in the role was problematic.

My drawing of Ed Wynn as “The Perfect Fool”

Ed Wynn seemed lost in the production, even in the dress rehearsal, but when the drama was broadcast on live television, his performance was not only flawless, it was so powerful that it led to several other important dramatic roles for him. In fact, he was nominated for an Oscar for his 1959 performance in The Diary of Anne Frank.

The broadcast of Requiem for a Heavyweight has been preserved; you can watch it by clicking HERE. You’ll notice problems with lighting, sound, and camera angles, but if you pay close attention to Ed Wynn, you’ll see the result of six decades of performing—comedy or not.

But wait. I also learned for the first time of a 1960 Desilu production called The Man in the Funny Suit, which was directed by Ralph Nelson, who also directed the television version of Requiem for a Heavyweight and the motion picture adaptation in 1962, in which Jackie Gleason and Mickey Rooney played the roles originated by Keenan and Ed Wynn.

Keenan Wynn, Ralph Nelson, and Ed Wynn in The Man in the Funny Suit

The Man in the Funny Suit is a dramatization of the actual events involved in Ed Wynn’s performance in Requiem for a Heavyweight. The story portrays Keenan Wynn’s attempt to convince his father that the era of “the perfect fool” had passed, and the son’s embarrassment and frustration over the elder man’s seeming inability to master his first dramatic role. What’s remarkable about this production is that Ed and Keenan Wynn play themselves, a brave and honest decision that would have been out of the reach of lesser men. Also playing themselves are Rod Serling, former world boxing champion Max Rosenbloom, Ralph Nelson, and—in a straight role—Red Skelton. You can watch this program by clicking HERE.

Viewing these two productions—in their chronological order—is a rare opportunity to see inside the relationship between a famous father and son. I, for one, an grateful for the self-confidence and generosity of heart, on the part of both men, that made this possible.