April 3, 2015
When a young new colleague arrived at my workplace, his name caught my attention. His first name is Sterling. He is the second person of that name that I’ve worked with, but the first instance goes back at least 35 years. Sterling is not a name I associate with men in their twenties. However, I checked on a web site that tracks the frequency of male names, and I found that Sterling has been making a comeback. Its popularity peaked in the 1890s when it ranked 388th out of 1,000 boys’ names. It went into a steady decline after that until the 1960s, when it ranked 497th. Then it had a resurgence and was 512th in the 1980s. Then there was a precipitous drop to 872nd place by 2008, and then a very sharp revival that carried it to 684th place in 2012 — the last year for which figures are available. To put these rankings in real terms, when the name Sterling was at its peak of popularity just before the turn of the 20th century, it was pinned on about 122 of every million babies born.
There were two well-known actors named Sterling. One was Sterling Hayden whose career stretched from 1941 to 1982. My new co-worker’s full name is very similar to that of the second actor, Sterling Holloway. He was named after his father, Sterling Price Holloway, who ran a grocery store in Cedartown, in northwestern Georgia, and served as mayor there in 1912. He in turn was named after Sterling Price, a lawyer and slave-holding tobacco planter in Missouri. He served as governor of the state from 1853 to 1857 and as a member of Congress. Price was a brigadier general in the U.S. Army during the Mexican War and a Confederate Army major general during the Civil War. I gather he was much more successful in the first war than in the latter. After the Civil War, he led his troops into Mexico and was rebuffed when he tried to enlist in the service of the colonial Emperor Maximillian. That episode inspired the 1969 movie “The Undefeated” which starred John Wayne and Rock Hudson. But I digress.
I first became aware of Sterling Holloway when he had a recurring role as Waldo Binney, the next-door neighbor to Chester A. Riley and his family in the television series “The Life of Riley.” Holloway had an odd voice and an unconventional appearance, and Waldo Binney was a quirky character, so he quickly became a favorite of mine. I didn’t know when he appeared in “The Life of Riley” in 1953-1956 that he had been a professional actor since 1926, when he appeared in a silent film called “The Battling Kangaroo.” He eventually performed either on screen or as a voice actor in at least 177 film and television properties as well as commercials, stage productions, radio shows, and recordings. In 1975 he shared a Grammy Award for the best recording for children, “Winnie-the-Pooh and Tigger Too.” Working for Walt Disney Studios, he lent his high-pitched voice to Mr. Stork in “Dumbo,” Adult Flower in “Bambi,” the Cheshire Cat in “Alice in Wonderland,” Kaa in “The Jungle Book,” Roquefort in “The Aristocats,” and Winnie-the-Pooh in several films, TV shows, and recordings.
Holloway’s off-beat voice lent itself very well to certain kinds of songs, and he introduced two standards — “I’ll Take Manhattan” and “Mountain Greenery” — while he was appearing on Broadway in “Garrick Gaieties,” a revue by Richard Rodgers and Lorenz Hart, in 1925 and 1926. You can see Holloway’s touching performance of the song “The End of a Perfect Day” in the 1940 film “Remember the Night” by clicking HERE. The song was written in 1909 by Carrie Jacobs-Bond. I understand NBC owns the rights to this film.
You can hear Holloway’s voice-over in a Peter Pan Peanut Butter commercial from the 1950s by clicking HERE.
July 22, 2011
I was shocked when a colleague told me the other day that she had never read the Winnie-the-Pooh books, and I suppose I should have hidden my surprise better than I did. That’s a conceit of mine – that everyone’s life experiences should be the same as my own. Then again, we’re talking about Winnie-the-Pooh, for heaven’s sake.
This conversation was occasioned by the fact that Pat and I went on Sunday to see the new Disney movie, Winnie-the-Pooh, with our daughter and our two grandsons. The film is well done with hand-drawn images and a story line that are true to the spirit of both A.A.Milne, who wrote the books, and Ernest Shepard, who illustrated them.
Milne and Shepard, of course, provided text and pictures, but they did not provide the voices of the characters. That was left to the Disney studio, where some genius cast Sterling Holloway in the title role of Winnie-the-Pooh and the Honey Tree in 1966. Holloway played the part in two more Disney short features, and his high-pitched, plaintive voice became the voice of Pooh for a couple of generations of kids and adults who, by the mercy of God, have not fully grown up.
Holloway retired in the 1970s, and the Disney casting office had another epiphany, choosing voice actor Jim Cummings – who can be heard in about a hundred films – to speak for Pooh, as it were. It was a tough assignment for an actor who, I’m sure, wanted to do his work without a ghost looking over his shoulder but also wanted to keep the character authentic in the minds of the audience. No problem. Cummings’ performance is distinctive, but it has the ring of a bear, and a hungry one at that, of very little brain.
Cummings knows something about following a tough act. He also took over the role of Tigger in the Pooh films after the retirement of Paul Winchell, who entertained audiences in the 50s and 60s with a ventriloquist act that featured the mannequin Jerry Mahoney, and who was also the first person to design and build an artificial heart.
I can’t say I missed Holloway while we were watching Winnie-the-Pooh, but I miss him in general. I first became aware of him when he appeared in the recurring role of eccentric but gentle Waldo Binney, a neighbor of the title family on the series The Life of Riley, which starred William Bendix as Chester A. Riley.
Holloway was unique, sui generis, in the quirkiness of his appearance, his demeanor, and his voice, so it was always a pleasure to run across him in movies or TV shows – the latter including The Amazing Adventures of Superman. He appeared in about 150 screen and TV properties over all. In the 1970s, he also did voiceover commercials for Purina Puppy Chow dog food, and sang what was then a familiar jingle: “Puppy Chow / for a full year / till he’s fully grown.”
As often happens with performers who have long careers, two of Holloway’s landmark achievements are largely forgotten – namely the fact that he introduced two songs that became a permanent part of the American musical repertoire. This occurred when he was appearing on Broadway in the 1920s and the songs were “(I’ll take) Manhattan” and “Mountain Greenery,” both composed by Richard Rodgers and Lorenz Hart.
Holloway, who never married because – he said – he liked his life the way it was, died in 1992 at the age of 87.
Click on THIS LINK to see and hear Sterling Holloway singing “A Perfect Day,” a song written in 1909 by Carrie Jacobs Bond. Holloway’s touching rendition occurred in the 1940 film “Remember the Night.”