Amazon update no. 1: “Judith”
May 11, 2014
We hooked up our new Amazon Fire TV gizmo and got a little giddy with the voice-recognition remote. One of the names we blurted into the device was “Sophia Loren” and that led us to watch Judith a 1965 example of a wasted opportunity.The cast also included Jack Hawkins and Peter Finch.
This project had possibilities. The story is set in Palestine shortly before the British pulled out of what was to become the State of Israel. A ragtag military organization called the Haganah — forerunner of the Jewish Defense Force — is anticipating more than the usual hostility from surrounding Arabs and is particularly concerned about a former German tank commander, Gustav Schiller, who is providing the Arabs with tactical training. In order to find the elusive Schiller, the Haganah leadership recruits the Nazi’s former wife, Judith, a Jew who has her own reasons for wanting to track him down.
At the beginning of the film we watch as Judith is smuggled into a sea port in a large wooden crate along with another woman and a piece of heavy machinery. When the crate is opened we already see the flaw in this movie: one of the women is dead — not a surprising outcome, considering the mode of transport — but Judith is tastefully disheveled but not so much so that she isn’t ravishing in eye makeup and lipstick as befitted a mid-1960s sex goddess.
Judith is hustled off to the kibbutz where an Haganah unit is housed under the supervision of Aaron Stein, played by Finch. The back story is that Schiller and Judith had a son together, but that Schiller ultimately abandoned his wife and took their child. Judith wound up in the Dachau concentration camp and was forced to have sex with German officers.
Judith doesn’t know where Schiller is, but the Haganah leaders figure that she could identify him if they did locate him. Aaron nudges the impatient Judith into approaching the local British Army commander, a Major Lawton (Jack Hawkins) into letting her see the military file on Schiller. Lawton, who is an upright chap, is nevertheless no match for Judith’s charms, and he hands over the file, which indicates that Schiller’s last known address was Damascus.Stein and another Haganah member take Judith to Damascus where they find Schiller. Judith double-crosses Haganah by shooting Schiller, but somehow the men smuggle the wounded man back to Palestine.While the kibbutz is being attached by Arab forces, Schiller tells Judith about the plan of attack, but he is killed by Arab bombs before telling her where their son has gone.
There probably was enough to go on here to make a decent movie. Finch and Hawkins turned in good performances, and the gritty location shots created a credible image of the environment in which such events would have taken place in 1948. But the film is often reduced to absurdity because of the seemingly irresistible opportunity to exploit Sophia Loren’s physical charms.
Neflix Update No. 77: “Jellyfish”
March 19, 2013
Sometimes a mesmerizing movie is one that leaves you uncertain as to what you just saw. Jellyfish (Meduzot in Hebrew) — a 2007 Israeli film, fits that category.
This dramatic comedy, or is it comic drama — see what I mean? — is based on a story by Shira Geffen. The subject matter is the frustrating lives of three women living in Tel Aviv. On the one hand, they are all lonely and downbeat — “resigned” might be the best term — but at the same time there is a spark of humor and warmth in the connections among them.
Batya, played by Sarah Adler, works somewhat ineptly in a dead-end job at a banquet hall. She is fired by her boorish boss, thrown over by her boyfriend, and neglected by her high-profile mother. Not unexpectedly, Batya isn’t in a good mood most of time, but her life is charmed when she encounters a mysterious mute little girl (Nikol Leidman) who wades out of the sea with a flotation tube around her waist and no other visible means of support, notably parents.
Things don’t go much better for Keren, played by Noa Knoller, a newly married bride whose Caribbean honeymoon is derailed before it starts when she breaks her leg while trying to climb out of a locked bathroom stall. And Joy (Ma-nenita De LaTorre), an immigrant who cares for a disagreeable old woman, is lonely for the son she left behind in the Philippines.
Clearly, a strain of melancholy runs through this film, but in the end it is not a downer. While it portrays the weightiness of everyday urban life, it also explores the undramatic but positive things that can touch people when their lives intersect.