“Fa la la la la, la la la la”

February 10, 2015

The first known publication of the Welsh carol "Nos Galan"

The first known publication of the Welsh carol “Nos Galan”

Pete Seeger said during a concert at Carnegie Hall that when he was thrashing around for a melody for “Sailing Down My Golden River” he got started by using the first eight notes of “Deck the Halls with Boughs of Holly.” He wasn’t taking too much of a chance. The melody belongs to a sixteenth-century Welsh carol, “Nos Galan,” and has long since passed into the public domain. The popular Christmas song that uses the same music first appeared in 1862.
I recalled Pete’s remark the other day when some folks were getting on Sam Smith’s case for not acknowledging Tom Petty and Jeff Lynne while accepting a Grammy for “Stay With Me,” the “song of the year.” When that song was released last April, many people noticed a similarity to “I Won’t Back Down,” which was huge for Tom Petty and the Heartbreakers in 1989. Petty’s people saw Smith’s people and the parties settled out of court last October. Petty and Lynne are both to get writing credit, along with Smith and Jimmy Napes.

GEORGE HARRISON

GEORGE HARRISON

It seems that no one thinks Smith deliberately plagiarized Petty’s song; with so many people listening to so much music, some subliminal appropriation is almost bound to happen. Even the court thought that was the case when George Harrison’s 1971 hit “My Sweet Lord” drew immediate comparisons to Ronnie Mack’s “He’s So Fine,” which was a hit for The Chiffons in 1963.The similarity resulted in complicated litigation that lasted from 1971 to 1998. Harrison was eventually directed to pay damages of $587,000—half of an earlier award—and he received rights to the song. As for the notion of unconscious plagiarism, there were some skeptics, including John Lennon, who told a Playboy interviewer: “He must have known, you know. He’s smarter than that … He could have changed a couple of bars in that song and nobody could ever have touched him, but he just let it go and paid the price. Maybe he thought God would just sort of let him off.”

GIACOMO PUCCINI

GIACOMO PUCCINI

My favorite incident of this kind—because of the strange juxtaposition of genres—involved the operatic composer Giacomo Puccini and the American entertainer Al Jolson. The trouble started with the 1920 publication of the popular song “(I Found My Love in) Avalon,” which was written by Al Jolson, Buddy DeSylva, and Vincent Rose. The lyric referred to the city of Avalon, which is located on Catalina Island in California. The following year, Puccini’s publishers sued Jolson and his collaborators on the grounds that the first few chords of “Avalon” were virtually identical to the first few chords of “E lucevan le stelle,” an aria from Puccini’s opera Tosca. I’m very familiar with both compositions, and I never noticed the similarity until I read about the lawsuit. But a judge with a more sensitive ear awarded Puccini $25,000 in damages and all subsequent royalties from “Avalon,” which has been recorded dozens of times.
Al_Jolson_Avalon_cover

Advertisements

2 Responses to ““Fa la la la la, la la la la””

  1. shoreacres Says:

    I’ve been sitting here thinking about the phrase, “unconscious plagiarism.” It seems like an oxymoron. I’ve been trying to figure out why. My best guess is that plagiarism has an element of intentionality to it that unconscious mitigates somewhat.

    In any event — I loved the history of the song. When I think about “Avalon,” I must confess this is the version that comes to mind. I was a clarinetist from third grade through college, and this was one I learned for a summer community band concert. I must have played that song thousands of times while practicing.

    • charlespaolino Says:

      I agree that “unconscious plagiarism” seems like an oxymoron, but it’s an idea courts have accepted. I think it’s based on the assumption that experiences such as George Harrison’s don’t happen by accident, that he did hear and absorb Ronnie Mack’s song and did, in fact, plagiarize it, even though he wasn’t aware he was doing it. The intellectual property, as it were, still belonged to Ronnie Mack. The first time I heard “Avalon,” it was in a Jolson recording. It’s amazing how many songs with goofy lyrics have been so successful: “and so I think I’ll travel on / to Avalon.”

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s