Amazon Update No. 2: “For the First Time”

July 18, 2014

JOHANNA von KOCZIAN and MARIO LANZA

JOHANNA von KOCZIAN and MARIO LANZA

When I was about ten years old, my mother took me to see the MGM movie The Great Caruso, in which Mario Lanza played the title role, the tenor Enrico Caruso. Despite my age, I became absorbed in both singers. At first I nagged my mother to buy vinyl for me, but eventually I was old enough to do it on my own. All that vinyl is down in the living room right now, along with hundreds of other 33 rpm disks that include doo-wop, rock ‘n’ roll, country and western, swing, easy listening, opera, and classics.

At any rate, we recently tried to find The Great Caruso on Amazon and Netflix and came up empty, so we settled for Lanza’s last film, the 1959 romantic comedy For the First Time. This film was popular in its time, it got some good reviews, and it was a financial success. This was strictly entertainment, not to be taken seriously, largely an excuse for Lanza to sing — which was a good thing, because opportunities to hear him were much more limited in those pre-iPod, pre-internet days than they would be today. He sings operatic arias and in operatic ensembles, and he sings Italian folk music and popular songs. It’s all good except, from my point of view, “Pineapple Picker,” a song that had no business being in the same room with Mario Lanza.

MARIO LANZA and ZSA ZSA GABOR

MARIO LANZA and ZSA ZSA GABOR

Lanza plays Tony Conti, a world-renowned if unreliable tenor. In the flamboyance he exhibits at the beginning of the story, Conti resembles Lanza. After an embarrassing episode in which Conti’s drinking and tardiness cause a Vienna concert to be cancelled with the audience already in the seats, Conti’s agent spirits him off to Capri to lay low until the bad publicity runs its course. There, Conti meets a young German woman, Christa, played by an irresistible actress named Johanna von Koczian, and they are mutually smitten. Johanna, of course, is deaf. (Get it? He’s a famous tenor; she can’t hear him sing.) At the point in the movie at which Tony and Christa meet, I said to my wife, Pat, “In the last scene, she’ll be sitting in an opera house listening to him hit those high notes.” Meeting Christa jolts Conti to the point that he stops drinking and womanizing and becomes responsible about his career. He is practically broke as a result of his shenanigans up to this point, but he takes on a series of performances in various cities of Europe and plans to visit — you guessed it! — the best ear specialist at each stop. No doubt, you can figure out how such a plot turned out in 1959.

MARIO LANZA sings "Vesti la Giubba" in a scene from "For the First Time"

MARIO LANZA sings “Vesti la Giubba” in a scene from “For the First Time”

Mario Lanza, who was 38, died a few months after this film was released. He looked well and vigorous in the film, his voice — dubbed, of course — was full of the power and earthy passion that had made it famous and he projected the boyish charm that endeared him to the public. This was the sort of movie theme — a romance on the Continent – in which audiences of that era would expect to encounter Zsa Zsa Gabor, and they weren’t disappointed. Zsa Zsa played a countess who had a sporadic affair with Tony, as she did with lots of other prominent men. She was 42 and at the height of her beauty when this film was made and her performance had none of the grating personality she adopted for late-night television shows when her looks would no longer carry her. Kurt Kasznar is comical as Tony’s beleaguered manager and protector, and I particularly liked Hans Söhnker’s sympathetic and believable performance as Christa’s uncle.

Due in large part to his personal habits, Lanza’s career was much shorter than it should have been, but he left behind a wonderful legacy of recorded music. Although he appeared in complete operas only a few times, he played an important cultural role by being one of the first singers to make operatic music popular among a mass audience. Prominent tenors even now often acknowledge their debt to him.

The film closes with Conti, as Rhadames, singing in the ensemble that closes Giuseppe Verdi’s Aida. You can see that scene by clicking HERE.

 

 

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2 Responses to “Amazon Update No. 2: “For the First Time””

  1. shoreacres Says:

    I’d never heard of the song “Pineapple Picker.” It took me a while to run down Lanza’s version, and as I listened to the song, all I could think of was Carmen Miranda. That sent me off on another search, to see if she might have sung “Pineapple Picker.” I couldn’t find that, but I did find this, which left me laughing heartily.

    All in all, a perfect post and segue(s) for a Sunday afternoon.

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