“They can go to hell” — Mohamad al-Fayed

April 11, 2011

Bronze statue of Marcus Aurelius

In the Capitoline Museum in Rome there is a bronze statue of the Roman Emperor Marcus Aurelius Antoninus. This is the only complete bronze statue of a Roman emperor that still exists. It was erected while the old stoic was in office – 176 AD. The reason that there are no other bronze statues from that era is that it was routine in the fourth and fifth centuries to melt them down so that the metal could be used for other statues or for coins. Sic semper gloria, as the saying goes. Statues of the emperors were destroyed also because Christians — apparently with no regard for the historical curiosity of future generations — regarded them as offensive remnants of paganism. In fact, it is said that the statue of Marcus Aurelius survived because it was erroneously thought to be an effigy of the sort-of Christian emperor Constantine.

It has not been unusual for statues of great, or at least dominant, figures to be desecrated by unappreciative come-latelies. Just the other day, some Syrians who are impatient with the fact that they lack basic political and economic rights did insulting things to an image of their former president, Hafez al-Assad, affectionately known as the “butcher of Hama” because of an unpleasant incident in which he caused the deaths of from 17,000 to 40,000 people.

Abraham and Tad Lincoln in Richmond

There was some unpleasantness of a different sort about 8 years ago concerning a statue erected in Richmond representing Abraham Lincoln and his son Tad. The statue reflects on Lincoln’s visit to the ruined city in April 1865 at the end of the Civil War. There were bitter protests by people who objected to the statue, apparently still not able to concede Lincoln’s conciliatory attitude toward the southerners whose treason brought on the war in the first place.

Meanwhile, there has been some statuary-related turmoil in England. The trouble isn’t about figures of Neville Chamberlain or Guy Fawkes or Edward VIII. No, the man at the center of the maelstrom is Michael Jackson. There are two new statues of Jackson in place in the UK, and both of them are getting the raspberry from some of Jackson’s fans.

Statue of Michael Jackson in East London

One scuffle is about a statue of Jackson dangling his baby son out of a hotel window. The life-sized image — which the artist calls “Madonna and Child” — recalls the incident in which Jackson held his son Prince Michael II out of a window in Berlin in 2002 while hundreds of fans were gathered below.

The sculpture is by a Swedish-born artist named Maria von Kohler; it’s displayed in the window of a music studio in East London. Jackson’s fans — who apparently haven’t been lured away by any of Simon Cowles’ instant sensations — find the sculpture revolting. They see it as an part of a persistent campaign of slander against Jackson, who set the bar for slander rather high. Viv Broughton, chief executive of the music studio, has a different view. He called the sculpture a “thought-provoking statement about fame and fan worship.”

Statue of Michael Jackson at Craven Cottage Stadium in London

The other skirmish has been prompted by a statue of Jackson erected outside Craven Cottage Stadium in London. The stadium is the home of the Fulham Football Club, a soccer team. Mohamed al-Fayed — whose son Dodi died in the auto accident that killed Princess Diana — owns the football club. The elder Fayed was a friend of Jackson.

Art critics have had a field day with the statue and some of Jackson’s disciples have criticized it, too.

Fayed responded to the criticism with a certain delicacy: “If some stupid fans don’t understand and appreciate such a gift, they can go to hell.”

I’ve often thought, when I pass the statue of Vice President Garret Hobart in front of City Hall in Paterson, how melancholy he must be as hundreds of people pass him each day without a glimmer of recognition. On the other hand, he has nobody attacking him except the pigeons.


2 Responses to ““They can go to hell” — Mohamad al-Fayed”

  1. shoreacres Says:

    There was a time I would have passed by “…the southerners whose treason brought on the war in the first place” without another thought. Today, such phrases always remind me of the first time I heard someone speak the phrase “the War of Northern Aggression”.

    The fellow lives outside New Orleans and is the author of several books, including The Confederate Order of Battle: The Army of Northern Virginia, which apparently is a bit of a must-have for Civil War historians. Still, his easy use of the phrase was startling to me, an introduction to a world view I knew little about.

    I enjoyed the tidbits about the statues themselves. But Michael Jackson? I suppose I can understand Mohamed al-Fayed’s impulse, if not the art. They were friends, he wanted to honor Jackson. But memorializing the baby-dangling? The world’s full of mystery, for sure.

  2. charlespaolino Says:

    As you may know, the federal government preferred to call it “The War of the Rebellion.” It was more than a semantic distinction. Lincoln had insisted that states did not have the power to leave the Union, and that the southern states, therefore, had not left. Therefore, he reasoned, there was no reason for them to be readmitted – which was not the position of the Radical Republicans in Congress. That’s why Lincoln’s death was such a costly event for the South.

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