O, Pioneers!
February 25, 2011
PBS has been running a series of documentaries under the title “Pioneers of Television.” We have watched three of them — on westerns, detective shows, and sitcoms — and found them informative and entertaining. Being the quarrelsome type, however, I question the use of the term “pioneers” — at least with respect to sitcoms, which were the topic of Monday night’s broadcast.
The program included segments on Jackie Gleason – specifically on the one full season of “The Honeymooners,” Lucille Ball, Andy Griffith, Danny Thomas, and Dick Van Dyke and Mary Tyler Moore. I can’t argue with the stature of those performers nor with the contributions all of them made to the development of TV comedy. But while there were some general references to the fact that situation comedies originated on radio, I don’t understand how a documentary about sitcoms can ignore Gertrude Berg.
I had a similar complaint — and wrote about it here — when the US Postal Service released a series of stamps honoring “pioneers” of television and didn’t include Gertrude Berg. I won’t repeat that post here, but Berg started her show — most widely known as “The Goldbergs” — on radio in 1929 and moved it to television in 1949. She owned, produced, and wrote the show, and she played the main character. Although it was a comedy, the show had very serious overtones, and it was the first show of its kind to introduce general audiences to the family lives of American Jews. That’s not a pioneer?
While I was watching that program Monday night, I spotted an actress named Amanda Randolph in a still from the Danny Thomas show. She played Louise, the wisecracking maid to the “Williams” family. By that time, Amanda Randolph had been an entertainer for more than 30 years — as a piano player and then as an actress in radio and movies. She was the first black actor to star in a regularly scheduled television show — “The Laytons” — which ran for a couple of months on the old Dumont network in 1948. She later had a recurring role as Ramona Smith – the mother of Sapphire Stevens – on the television version of “Amos ‘n’ Andy” — the first TV show with an all-black cast, and the last one for many years. That’s not a pioneer?
Amanda Randolph was the older sister of Lillian Randolph, another groundbreaking black actor and singer. She started working in radio in the mid 1930s and became a mainstay in that medium and in television and films. She had a recurring role in the radio, television, and movie versions of the popular comedy “The Great Gildersleeve,” and she played Madame Queen — girlfriend of Andy Brown — in the radio and TV versions of “Amos ‘n’ Andy.”
Lillian Randolph may be best remembered now for the role of Annie in “It’s a Wonderful Life.”
Somebody at PBS doesn’t remember, but I do.
Amelia Earhart: Is it you at last?
February 22, 2011
I see by the papers, as it were, that a scientist in British Columbia is going to try to identify bone fragments believed to be those of Amelia Earhart by using DNA technology. Earhart went missing in July of 1937 and was presumably killed along with navigator Fred Noonan during their attempt to fly around the world along the equator. Their bodies were never found, but bone fragments that were found on a Pacific island late last year are being examined at the University of Oklahoma to determine if they are the remains of Earhart. A story published today by The Canadian Press reported that a forensic archeologist at Fraser University in Vancouver is going to try to recover Earhart’s DNA from envelopes that contained letters written by Earhart. The letters were opened at the ends, so the flaps are intact. The premise of the study is that Earhart probably licked those flaps in order to seal the envelopes and that DNA from her saliva may still be present.
This news breaks while I’m in the midst of reading a recent biography of Earhart by Kathleen C. Winters. I’ll probably post a review here in a few days.
From a practical point of view, it may not matter very much whether those bones are Earhart’s or not. As there always are in such cases, there are folks who want to believe that the explanation for her disappearance is more complicated than that her plane went down, but there is no evidence to support them. On the other hand, anyone with a sense of history hates stories with missing conclusions. So a definitive finding that those bones belonged to Amelia Earhart would serve two purposes – putting unfounded theories to rest and putting the period to an historical epoch.
Netflix Update No. 46: “Walk Don’t Run”
February 18, 2011
We watched the 1969 film “Walk Don’t Run,” which was notable for being Cary Grant’s last movie. He retired, so the story goes, because he realized that he could no longer pull off the leading man image and didn’t think his fans would accept him in supporting roles. So he was “retired” for 20 years, as far as the movies were concerned.
In “Walk Don’t Run,” Grant plays a prominent British businessman, Sir William Rutland, who visits Tokyo during the 1964 Olympic Games, arrives two days ahead of schedule and can’t find a hotel room. He spots a notice posted by someone wanting to share an apartment and goes to the address. The “someone” is Christine Easton (Samantha Eggar), a nervous young lady who is engaged to a supercilious employee of the British Embassy. She isn’t interested in sharing her apartment with a strange man, but Rutland ignores her protests, confuses her with the kind of fast talk that Grant was so good at, and moves in. Christine tries to make the arrangement as hard as possible on Rutland by imposing an impossibly tight schedule for use of the bathroom, but Rutland – though totally unable to keep up with the timetable – isn’t that easily dissuaded.
During a business call in Tokyo, Rutland meets brash American Steve Davis, who is a member of an American Olympic team — though he won’t say which one — and who also is without a place to stay until the Olympic quarters open. Davis is played by the ill-starred Jim Hutton. Rutland and Davis are at odds at first, but Rutland ends up subletting half of his room to Davis — without asking Christine, of course. She objects when she finds out, but she is no match for the two of them. Rutland, who is happily married and old enough to be Christine’s father, doesn’t like Christine’s fiancée and thinks Davis would be a better match for her. Therein lies the story, although there’s a subplot in which Davis is accused of being a spy.
This is a good-natured film, and the three principal actors do it justice. Grant was about 62 when he made this movie, and he hadn’t lost any of his appeal or energy.
The movie was shot on location in Japan, and that adds to its interest. Tokyo is a busy place, and the outdoor shots were done in the middle of the daily bustle.
This movie is based on a highly-regarded 1943 film, “The More the Merrier,” which I haven’t yet seen. That stars Charles Colburn, Joel Macrae, and Jean Arthur. It tells the same general story, but it takes place in Washington, D.C., and makes fun of the housing shortage there during World War II. Colburn plays the businessman, and he was widely praised for his performance. He and Grant were very different personalities, but I can picture Colburn playing the role.
Netflix Update No. 45: “Last Chance Harvey”
February 16, 2011
We watched the 2008 film “Last Chance Harvey” which stars Dustin Hoffman and Emma Thompson. Apparently this film attracted some attention when it was released, but I must have been out of town, because I don’t remember hearing about it. Hoffman and Thompson both got Golden Globe “best” nominations, so somebody was paying attention.
This movie got mixed reviews, but I’ll cast my lot with the yea-sayers.
Hoffman plays Harvey Shine, a song writer and musician who wanted to be a jazz pianist but settled for writing commercial jingles. Now that that industry depends far more on digital sound than on the black-and-whites, he’s having a hard time keeping up, so much so that his job is in jeopardy — hence the title of the film.
Meanwhile, Harvey is due to fly to London to attend the wedding of his daughter, Susan (Liane Balaban), who is tighter with her mom and stepfather than with Harvey, her dad. In fact, Harvey feels very much in the way at the dinner on the eve of the ceremony.
Meanwhile, the film follows the life of Londoner Kate Walker (Thompson), a lonely woman who works as a survey taker at Heathrow Airport. Despite a friend’s clumsy attempts to find her a match, Kate seems almost willingly trapped in a drab existence punctuated by constant phone calls from her aged and equally lonely mother.
OK, it’s obvious early on that Kate and Harvey are going to cross paths, but these characters are so well drawn by the actors, and their situations are so familiar, that it’s hard not to get interested in them. I read that Hoffman and Thompson had had a positive experience working together in a previous film and that Hoffman agreed to this role on the condition that he and Thompson ad lib some of their dialog. The relationship between them seems natural, so that strategy paid off.
Some viewers might be distracted by the age difference between Hoffman and Thompson — which is emphasized in a certain way by the difference in their heights — but there is no suggestion that their interest in each other is primarily sexual, or sexual at all, and the things that do attract them to each other make perfect sense. I, for one, am not cynical enough to dismiss the way Harvey’s personality is rejuvenated under the influence of a timid, self-conscious, but witty and intelligent woman. If one starts with the premise that Joel Hopkins’ script starts with — that both of their lives were at a dead end — the idea that they could form a relationship is both plausible and redemptive.
“Luckiest man on the face of the earth”
February 8, 2011
There’s a hilarious string of comments on the MSNBC web site stemming from a story about Lou Gehrig’s medical records. It’s entertaining to read these strings, because the readers who engage in them get upset and abusive – in this case, two of them sunk to assailing each other’s grammar – and then they get off on tangents and eventually go spinning off into space.
In this case, the brief story that started the row was about Phyllis Kahn, a member of the Minnesota State Legislature, who has introduced a bill that would open medical records after a person has been dead for 50 years, unless a will or a legal action by a descendant precludes it.
Kahn was inspired by a story that broke several months ago about a scientific study that speculated that the root cause of Gehrig’s death was concussions he suffered while playing baseball. Gehrig’s ailment, of course, was diagnosed as Amyotrophic Lateral Sclerosis, which affects the nerve cells in the brain and spinal cord.
A study published last summer in the Journal of Neuropathology & Experimental Neurology made a connection between brain trauma and a form of ALS. Gehrig played first base, a position not usually associated with concussions, but he was hit in the head by pitches during his career, and he might have suffered head traumas in when he was the runner in a close play. He famously played for 14 years without missing a game, which means he played hurt many many times. In fact, although he is lionized for setting a record for consecutive games that stood until Cal Ripken Jr. surpassed it, Gehrig was criticized in some quarters in his own time by folks who regarded his streak as a foolish stunt and worried that he would damage his health.
Researchers want to look at Gehrig’s medical records, which are housed at the Mayo Clinic, and Kahn thinks they should be allowed to do so – and that, in the absence of instructions to the contrary, the records of any person dead for 50 years should be accessible. Gehrig has no descendants
As a Lou Gehrig fan, my emotions are screaming, “Leave the big guy alone!” As a former journalist, my interest in free flow of information is muttering that such records should become available at some point — though I don’t know what that point should be. Considering the level of concern about concussion injuries in football, research in this area could be valuable, and Gehrig might have provided an almost unparalleled opportunity to examine the impact of repeated injuries. His doctors might even have considered a link between his grueling career and the illness that killed him. The Mayo Clinic and a bioethics professor at the University of Minnesota are opposing this bill, probably concerned more about the opening of a flood gate than about Gehrig’s privacy in particular.
Incidentally, Phyllis Kahn, a Democrat-Farm-Labor legislator, once pleaded guilty to a misdemeanor for stealing campaign brochures distributed on behalf of a Republican candidate and replacing them with material for one of Kahn’s DFL compatriots. But that’s a story for another post.
“Please listen to our new options”
February 1, 2011
My niece visited our house the other day and, as she was leaving, she paused to jot down our land line phone number, which she had lost. I told her the number and added, “Anyway, we’re in the book.” But I immediately recalled that Verizon and AT&T, among others, have been moving toward discontinuing phone books. Although phone books are a nuisance to have around the house, and although I can’t remember the last time I used a phone book instead of the Internet to look up a number, I’ll be sorry to see them go. I’m an avid phone book reader when I’m away from home. I study such things as how many people are listed with my surname and how many with my wife’s surname. There are seldom more than one or two – often none. Whenever I find one it’s like spotting cobalt sea glass. I also thumb through to see which name generates the longest list in that locale – Smith? Patel? – and which names catch my attention because they’re familiar or odd.
Reading the phone book in Iceland, incidentally, is an offbeat experience, because most people in Iceland don’t have family names as such. Folks are listed in the phone book by their first names, patronyms, addresses, occupations, and then telephone numbers. The patronym consists of a person’s father’s first name and a suffix that indicates whether it’s a son or daughter. So the Icelandic singer would be listed as Björk Guðmundsdóttir, because she is the daughter (dottir) of Guðmundur Gunnarsson, who is the son of Gunnar. If you look closely at the page to the left, you can see listings for several people who share Björk’s name.
It was often said of the actor Charles Laughton that he could make an audience weep simply by reading the phone book aloud. That was meant as a compliment to Laughton, but I think I’d be reduced to tears if I had to listen to any actor read the phone book. I, on the other hand, will miss those out-of-town opportunities to read the listings to myself and provide occasional commentary to anyone without the sense to leave the room.
Meanwhile, my first thought after I told my niece that we’re “in the book” was that the expression “in the book” might disappear from our language if the trend to eliminate “the book” continues.
Although I know it’s an inevitable process – idioms coming and going – I always regret the loss of such expressions. I’m old enough, though, that “in the book” could last as long as I do. After all, the rotary dial started disappearing from telephones in the 1960s and has been virtually non-existent for several decades. And yet, many people still speak of “dialing” a number when, in fact, they’re entering the number with a keypad.
Come to think of it, I’m so old that I’m older than rotary dials.