“You’ve been more than a daddy to me” — Henry Burr
September 4, 2009
BRIGITTA JACOB-ENGELKEN
The BBC marked the anniversary of Britain’s declaration of war on Nazi Germany with a story about the last survivor of the bunker in which Adolph Hitler killed himself.
The survivor is Rochus Misch, 92, a resident of Berlin, who was an SS officer serving as a body guard, a telephone operator, and a messenger. The report included an interview with Misch’s daughter, Brigitta Jacob-Engelken, who recalls the day in 1953 when her father returned from the gulag where the Soviets had confined him after the Red Army invaded Berlin. The homecoming was joyful, but father and daughter didn’t get along.
ROCHUS MISCH
Their relationship wasn’t improved when Brigitta’s maternal grandmother informed her that her mother — Misch’s wife — had been Jewish, something Misch refused to accept.
Brigitta accepted it, learned Hebrew, spent time on a kibbutz, and used her architectural talents to help restore synagogues in Germany.
She says she doesn’t hold her father’s wartime role against him, because the work he did was “harmless.” “Harmless,” of course, was a relative term during the Nazi era. Compared to ordering and carrying out the deaths of tens of millions of defenseless people, protecting the life of the worst dictator in history may seem mild.
Misch didn’t talk about his place in Hitler’s inner circle for many years, but now he discusses it freely — including his first view of the bodies of Hitler and Eva Braun.
The BBC stories are at this link:
http://news.bbc.co.uk/2/hi/europe/8237708.stm
ROCHUS MISCH DURING THE WAR
Sui generis
August 5, 2009
GERTRUDE BERG
A few months ago, I wrote in this journal that my wife and I had discovered and watched on line a few episodes of the television series “The Goldbergs.” Those episodes are at http://www.archives.com.
After I wrote that blog, I heard from a publicist who was handling a new documentary film about the owner, writer, and star of “The Goldbergs” — Gertrude Berg — who was one of the most remarkable women of the second half of the 20th century. As a result of that contact, I wrote the following story, part of which has appeared in the Courier-Post of Cherry Hill and has been picked up on other blogs:
When the U.S. Postal Service issues its “Early TV Memories” stamps this summer, don’t look for Gertrude Berg.
The New York City native, who 80 years ago created the domestic situation comedy, and became a media mogul, was not included with the likes of Lucille Ball and Harriet Nelson, who decades later followed her into American homes.
But Berg is being reintroduced to the American public in a documentary film – “Yoo Hoo, Mrs. Goldberg” – written and directed by Aviva Kempner.
The title evokes the phrase associated with Berg during the radio and television runs of the show she created and controlled, most widely known as “The Goldbergs.”
The principal character, Molly Goldberg, and her neighbors in a Bronx apartment building, interacted by leaning out their windows and calling: “Yoo Hoo, Mrs. Goldberg … Yoo Hoo, Mrs. Bloom.”
From her window, Molly – portrayed by Berg – invited listeners and viewers into the Goldberg household to share the lives of her husband, Jake; their children, Sammy and Rosalie; and Molly’s brother, David Romaine.
The show ran on radio from 1929 to 1946 – five days a week for much of that time – and on television from 1949 to 1956. Berg herself wrote every script in longhand.
PHILLIP LOEB
There were also a stage play, a movie, a lucrative vaudeville tour, a comic strip, a jigsaw puzzle, a newspaper column, a line of women’s dresses, and a popular cookbook – although Berg couldn’t cook.
Berg’s rise to prominence, Kempner emphasized, occurred “at the time of the greatest domestic anti-Semitism in America, and during the rise of Adolf Hitler in Europe.’’
Berg presented the family as Jewish – adopting a mild Yiddish accent and a unique use of language that became a hallmark of the character:
As Molly shows off a hat, a neighbor asks: “With what dress are you going to wear it?’’
“With mine periwinkle,’’ Molly answers, striking a pose: “Visualize!”
And Berg didn’t shy away from difficult issues affecting Jews.
The documentary points out that in 1933, the year Hitler became dicator of Germany, she had a rabbi conduct a Seder service on the program. And after Kristallnacht in 1938, she wrote an episode in which a stone smashed an apartment window while the Goldbergs were celebrating Passover; Molly calmed the children and urged Jake to continue leading the Seder.
“And yet,’’ Kempner said, “Molly Goldberg was universal. You didn’t have to be Jewish to love her.’’
This urban mother first appeared on radio a month after the stock market crash, and the Goldbergs became so important to the national psyche during the Great Depression, as people maintaining the family circle in spite of want, that Franklin Roosevelt himself acknowledged it.
THE CAST OF "THE GOLDBERGS"
Kempner – based in Washington, D.C. – made the documentary through her Ciesla Foundation, whose goal is to “produce films about under-known Jewish heroes.” Kempner – whose work includes a 2000 film about baseball legend Hank Greenberg – said that although the Gertrude Berg film is complete, she is still raising money to pay for it.
The new film includes vintage photos and motion pictures and input from members of Berg’s family, actors, her biographer and others, including U.S. Supreme Court Justice Ruth Bader Ginsburg.
The story they tell has its dark sides.
Berg, born in 1898, did not grow up in the kind of setting she portrayed in her shows.
“She never had a nurturing mother like Molly Goldberg,’’ Kempner said. “She created what she didn’t have.’’
Berg’s own mother sunk into depression after the early death of her son and ended her life in a mental institution. Berg’s father badgered Gertrude into working at resorts he opened in the Catskills and in Florida but never supported her career as an actress and producer.
By contrast, her husband, Lewis Berg, a chemical engineer, typed many scripts from his wife’s handwritten originals.
Especially unsettling in Gertrude Berg’s life was the impact of “Red Channels,” the publication that purported to expose Communists working in radio and film.
One of those identified was Philip Loeb, an actors’ union leader, who played Jake Goldberg on the television series. Berg herself was listed as a “sympathizer.”
CBS and her sponsor pressured Gertrude Berg to fire Loeb. She refused, and her show was cancelled. NBC eventually picked up the show, but Loeb had accepted a cash settlement out of consideration for Berg and the other actors. Blacklisted from radio and film, he committed suicide in 1955.
Berg won an Emmy for her portrayal of Molly Goldberg, and a Tony for her 1959 Broadway performance in “A Majority of One,” and her autobiography was a best seller.
Still, only a small percentage of Americans today know who Gertrude Berg was, Kempner said, “and I want to restore her correct place in our cultural history.’’
The home web site for the film is at http://www.mollygoldbergfilm.org/home.php Information about theaters showing the film is available there.
The Ciesla Foundation web site is at http://www.cieslafoundation.org/
A little man passes from the scene
June 11, 2009
STEPHEN T. JOHNS
So James von Brunn finally got what he wanted. After years of sitting around drinking red wine and spouting anti-Semitic and anti-black rhetoric, the little man made himself important. The only justice in the matter is that von Brunn is nearly dead and that most of us will soon forget his name. Like the melting wax the psalmists liked to write about, he will be unimportant and useless – a fate that probably would have annoyed the hell out of him. It’s tragic and sad that Stephen Johns, a man who mattered, had to cross paths with von Brunn at the Holocaust Memorial Museum just when the non-entity was being important.
But long after we have to ask each other the name of the jerk that shot Stephen Johns, the more insidious purveyors of anti-Semitism and racism will be doing their work in deserved but dangerous obscurity. Like the priest I once knew who told another priest in the presence of two young altar servers that the actor Mickey Rooney wasn’t a “Mick” but had changed his name to hide the fact that he was a “Hebe.” Rooney did change his name from Yule, but I don’t know that he was Jewish. He’s been a Christian for many years. But whatever the facts about Rooney may be, it was an offensive way to refer to Irish and Jewish people and an offensive imputation about Rooney’s motives. When I asked the priests if they realized the boys had heard their conversation, their rationale was that the kids wouldn’t know who Rooney was and probably didn’t understand those terms.
A neighbor recently was explaining at a party how Jewish people were responsible for a lot of the current economic difficulties because, as we all know, they control the wealth. Apparently because he knows I’m a clergyman, he leaned toward me and asked, “That’s what Jesus had against them, isn’t it?” “Jesus was Jewish,” I said, “and most of the people he spent his life with were Jewish.” And my neighbor blushed a little and scratched his head and said, “Oh yeah. That’s right.”
In the long run, people we meet in everyday situations, people who go around confirming in casual conversation age-old stereotypes, often to willing or indifferent audiences, are at least as insidious as people like von Brunn who nurse the same mindless errors until they blow their tops.
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